1.0Skizzehttps://www.hobstop.ee/en/rich600338<blockquote class="wp-embedded-content" data-secret="xU5Fe6SHf7"><a href="https://www.hobstop.ee/en/product/dry-pigment-sennelier/">Dry pigment Sennelier</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.hobstop.ee/en/product/dry-pigment-sennelier/embed/#?secret=xU5Fe6SHf7" width="600" height="338" title="“Dry pigment Sennelier” — Skizze" data-secret="xU5Fe6SHf7" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://hobstop.ee/media/2945.jpg1024768At the end of the nineteenth century, when Gustave Sennelier started developing oil colors for his artist customers who would eventually include Cézanne, Gauguin, and Picasso, he recognized the need for producing paints that only contained the highest-quality pigments. In order to craft superior colors, he verified that the origins of the pigments were from selected traditional sources, at the same time precisely identifying their chemical characteristics. His great respect for these materials not only ensured the permanence of works created with his paints, but also assured the production of an increasing array of unique colors of unsurpassed beauty and quality. Since that time, some pigments have disappeared because their natural resources have been depleted, and others have been restricted due to their toxicity. However, the company’s recent research and innovations have resulted in a wide variety of synthetic pigments that perfectly match the performance of ancient mineral pigments such as Lapis Lazuli and Cinnabar. Sennelier still mines the Earth for minerals and other natural elements from traditional sources — pigments like clays and iron oxides used in ochres and the preparation of “burnt” earth colors from calcified soil.